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This excerpt is from an analysis of The Importance of Being Earnest by Oscar Wilde.
Wilde's play, "The Importance of Being Earnest", is a satire that targets the absurdities and trivialities of the British aristocracy. The play's subtitle, 'A Trivial Comedy for Serious People,' aptly summarizes Wilde's intentions. Through clever dialogue, puns, and a healthy dose of irony, Wilde exposes the superficiality and hypocrisy of the upper classes.
The characters in the play, such as Jack Worthing and Algernon Moncrieff, lead double lives, reflecting the dual nature of their social standing. The use of 'Bunburying,' a term coined by Wilde, illustrates the lengths to which these characters go to escape their social obligations and lead a life of deceit. The play also pokes fun at the institution of marriage, which is depicted as a social contract rather than a romantic union.
For example, Lady Bracknell's interrogation of Jack regarding his suitability as a husband for her daughter Gwendolen reveals the transactional nature of marriage in the society Wilde is critiquing. Wilde's portrayal of the aristocracy is not merely critical, but also humorous, making The Importance of Being Earnest one of his most beloved and enduring works.
What is the purpose of the subtitle 'A Trivial Comedy for Serious People' in the context of the play?
- A. To emphasize the seriousness of the social critique in the play.
- B. To downplay the seriousness of the play and present it as light-hearted.
- C. To reflect the trivial nature of the characters' concerns and lives.
- D. To highlight the absurdity of taking serious matters lightly.
Correct Answer: C
Rationale: The subtitle 'A Trivial Comedy for Serious People' in Oscar Wilde's play 'The Importance of Being Earnest' serves to reflect the trivial concerns of the characters and the superficiality of their lives. Wilde uses this subtitle to highlight the irony in portraying seemingly serious people who are preoccupied with trivial matters and appearances. Choice A is incorrect because the subtitle does not aim to emphasize the seriousness of the social critique but rather the triviality of the characters' lives. Choice B is incorrect as the subtitle doesn't downplay the seriousness of the play; instead, it juxtaposes the trivial with the serious. Choice D is incorrect because the subtitle does not aim to highlight the absurdity of taking serious matters lightly, but rather to underscore the triviality of the characters' concerns and behaviors.
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This excerpt is an adaptation of Jonathan Swift's "Gulliver's Travels into Several Remote Nations of the World".
My gentleness and good behavior had gained so far on the emperor and his court, and indeed upon the army and people in general, that I began to conceive hopes of getting my liberty in a short time. I took all possible methods to cultivate this favorable disposition. The natives came, by degrees, to be less apprehensive of any danger from me. I would sometimes lie down, and let five or six of them dance on my hand; and at last the boys and girls would venture to come and play at hide-and-seek in my hair.
I had now made good progress in understanding and speaking the language. The emperor had a mind one day to entertain me with several of the country shows, wherein they exceed all nations I have known, both for dexterity and magnificence. I was diverted with none so much as that of the rope-dancers, performed upon a slender white thread, extended about two feet, and twelve inches from the ground, Upon which I shall desire liberty, with the reader's patience, to enlarge a little.
This diversion is only practiced by those persons who are candidates for great employments, and high favor at court. They are trained in this art from their youth, and are not always of noble birth, or liberal education. When a great office is vacant, either by death or disgrace (which often happens,) five or six of those candidates petition the emperor to entertain his majesty and the court with a dance on the rope; and whoever jumps the highest, without falling, succeeds in the office.
Very often the chief ministers themselves are commanded to show their skill, and to convince the emperor that they have not lost their faculty. FlyNap, the treasurer, is allowed to cut a caper on the straight rope, at least an inch higher than any other lord in the whole empire. I have seen him do the somersault several times together, upon a trencher fixed on a rope which is no thicker than a common packthread in England. My friend Reldresal, principal secretary for private affairs, is, in my opinion, if I am not partial, the second after the treasurer; the rest of the great officers are much upon a par.
What can the reader infer from this passage? I would sometimes lie down, and let five or six of them dance on my hand; and at last the boys and girls would venture to come and play at hide-and-seek in my hair.
- A. The children tortured Gulliver.
- B. Gulliver traveled to meet new people.
- C. Gulliver is considerably larger than the children playing around him.
- D. Gulliver has a genuine love and enthusiasm for people of all sizes.
Correct Answer: C
Rationale: The correct answer is C. The reader can infer from the passage that Gulliver is considerably larger than the children playing around him. This is evident from the fact that the children dance on his hand and play hide-and-seek in his hair, indicating a significant size difference between Gulliver and the children. Choice A is incorrect because there is no mention or implication of the children torturing Gulliver in the passage. Choice B is incorrect because Gulliver's reason for traveling is not mentioned in the provided excerpt. Choice D is incorrect as there is no explicit indication of Gulliver having a genuine love and enthusiasm for people of all sizes; the passage primarily focuses on the interaction between Gulliver and the children in terms of size and playfulness.
This excerpt is from a speech by Charles Dickens delivered in Birmingham, England, on December 30, 1853, on behalf of the Birmingham and Midland Institute.
My Good Friends, when I first imparted to the committee of the projected Institute my particular wish that on one of the evenings of my readings here the main body of my audience should be composed of working men and their families, I was animated by two desires; first, by the wish to have the great pleasure of meeting you face to face at this Christmas time, and accompany you myself through one of my little Christmas books; and second, by the wish to have an opportunity of stating publicly in your presence, and in the presence of the committee, my earnest hope that the Institute will, from the beginning, recognize one great principle "strong in reason and justice" which I believe to be essential to the very life of such an Institution.
It is, that the working man shall, from the first unto the last, have a share in the management of an Institution which is designed for his benefit, and which calls itself by his name. I have no fear here of being misunderstood, of being supposed to mean too much in this. If there ever was a time when any one class could of itself do much for its own good, and for the welfare of society -which I greatly doubt- that time is unquestionably past. It is in the fusion of different classes, without confusion; in the bringing together of employers and employed; in the creating of a better common understanding among those whose interests are identical, who depend upon each other, who are vitally essential to each other, and who never can be in unnatural antagonism without deplorable results, that one of the chief principles of a Mechanic's Institution should consist.
In this world a great deal of the bitterness among us arises from an imperfect understanding of one another. Erect in Birmingham a great Educational Institution, properly educational; educational of the feelings as well as of the reason; to which all orders of Birmingham men contribute; in which all orders of Birmingham men meet; wherein all orders of Birmingham men are faithfully represented and you will erect a Temple of Concord here which will be a model edifice to the whole of England. Contemplating as I do the existence of the Artisan's Committee, which not long ago considered the establishment of the Institute so sensibly, and supported it so heartily, I earnestly entreat the gentlemen - earnest I know in the good work, and who are now among us- by all means to avoid the great shortcoming of similar institutions; and in asking the working man for his confidence, to set him the great example and give him theirs in return.
You will judge for yourselves if I promise too much for the working man, when I say that he will stand by such an enterprise with the utmost of his patience, his perseverance, sense, and support; that I am sure he will need no charitable aid or condescending patronage; but will readily and cheerfully pay for the advantages which it confers; that he will prepare himself in individual cases where he feels that the adverse circumstances around him have rendered it necessary; in a word, that he will feel his responsibility like an honest man, and will most honestly and manfully discharge it.
I now proceed to the pleasant task to which I assure you I have looked forward for a long time.
Which term is most closely aligned with the definition of the term 'working man' as it is defined in the following passage? 'You will judge for yourselves if I promise too much for the working man, when I say that he will stand by such an enterprise with the utmost of his patience, his perseverance, sense, and support.'
- A. Plebeian
- B. Viscount
- C. Entrepreneur
- D. Bourgeois
Correct Answer: A
Rationale: The correct answer is 'Plebeian.' In the given extract, the term 'working man' is associated with individuals who are part of the working class. Historically, plebeians were common working-class citizens. The passage emphasizes the dedication, patience, and support of the working man towards an enterprise, aligning with the characteristics attributed to plebeians in society. 'Viscount' is a noble title and not related to the working class. 'Entrepreneur' refers to a business person who takes risks to start a business, which is not the focus of the passage. 'Bourgeois' typically refers to the middle class, not specifically the working class like the term 'Plebeian.'
This excerpt is from an analysis of The Importance of Being Earnest by Oscar Wilde.
Wilde's play, "The Importance of Being Earnest", is a satire that targets the absurdities and trivialities of the British aristocracy. The play's subtitle, 'A Trivial Comedy for Serious People,' aptly summarizes Wilde's intentions. Through clever dialogue, puns, and a healthy dose of irony, Wilde exposes the superficiality and hypocrisy of the upper classes.
The characters in the play, such as Jack Worthing and Algernon Moncrieff, lead double lives, reflecting the dual nature of their social standing. The use of 'Bunburying,' a term coined by Wilde, illustrates the lengths to which these characters go to escape their social obligations and lead a life of deceit. The play also pokes fun at the institution of marriage, which is depicted as a social contract rather than a romantic union.
For example, Lady Bracknell's interrogation of Jack regarding his suitability as a husband for her daughter Gwendolen reveals the transactional nature of marriage in the society Wilde is critiquing. Wilde's portrayal of the aristocracy is not merely critical, but also humorous, making The Importance of Being Earnest one of his most beloved and enduring works.
Which literary device is most prominent in Wilde's play?
- A. Irony
- B. Symbolism
- C. Metaphor
- D. Allusion
Correct Answer: A
Rationale: The correct answer is 'Irony.' Irony is the most prominent literary device in Wilde's play, 'The Importance of Being Earnest,' as it pervades his critique of the upper class. Throughout the play, Wilde uses irony to highlight the absurdities and trivialities of the British aristocracy. The characters engage in witty and humorous dialogue filled with situational irony, verbal irony, and dramatic irony, exposing the superficiality and hypocrisy of the upper classes. Symbolism, metaphor, and allusion are present in the play but to a lesser extent compared to irony. While symbolism and metaphor are used to enhance the themes and characterizations, allusion is sparingly employed. However, it is the pervasive use of irony that sets the tone and drives Wilde's satire of the societal norms and values of the time.
This excerpt is an adaptation of Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde.
"Did you ever come across a prot of his one Hyde?" He asked. "Hyde?" repeated Lanyon. "No. Never heard of him. Since my time." That was the amount of information that the lawyer carried back with him to the great, dark bed on which he tossed to and from until the small hours of the morning began to grow large. It was a night of little ease to his toiling mind, toiling in mere darkness and besieged by questions. Six o'clock struck on the bells of the church that was so conveniently near to Mr. Utterson's dwelling, and still he was digging at the problem.
Hitherto it had touched him on the intellectual side alone; but now his imagination also was engaged, or rather enslaved; and as he lay and tossed in the gross darkness of the night in the curtained room, Mr. Enfield's tale went by before his mind in a scroll of lighted pictures. He would be aware of the great field of lamps in a nocturnal city; then of the figure of a man walking swiftly; then of a child running from the doctor's; and then these met, and that human Juggernaut trod the child down and passed on regardless of her screams. Or else he would see a room in a rich house, where his friend lay asleep, dreaming and smiling at his dreams; and then the door of that room would be opened, the curtains of the bed plucked apart, the sleeper recalled, and, lo! There would stand by his side a figure to whom power was given, and even at that dead hour he must rise and do its bidding.
The figure in these two phases haunted the lawyer all night; and if at any time he dozed over, it was but to see it glide more stealthily through sleeping houses, or move the more swiftly, and still the more smoothly, even to dizziness, through wider labyrinths of lamp lighted city, and at every street corner crush a child and leave her screaming. And still the figure had no face by which he might know it; even in his dreams it had no face, or one that baffled him and melted before his eyes; and thus there it was that there sprung up and grew apace in the lawyer's mind a singularly strong, almost an inordinate, curiosity to behold the features of the real Mr. Hyde.
If he could but once set eyes on him, he thought the mystery would lighten and perhaps roll altogether away, as was the habit of mysterious things when well examined. He might see a reason for his friend's strange preference or bondage, and even for the startling clauses of the will. And at least it would be a face worth seeing: the face of a man who was without bowels of mercy: a face which had but to show itself to raise up, in the mind of the unimpressionable Enfield, a spirit of enduring hatred.
A student is starting a research assignment on Japanese-American internment camps during World War II, but she is unsure of how to gather relevant resources. Which of the following would be the most helpful advice for the student?
- A. Conduct a broad internet search to get a wide view of the subject.
- B. Consult an American history textbook.
- C. Find websites about Japanese-American culture encompassing various aspects such as fashion and politics.
- D. Locate texts in the library related to World War II in America and look for references to internment camps in the index.
Correct Answer: D
Rationale: The most effective way for the student to gather detailed and relevant resources for the research assignment on Japanese-American internment camps during World War II would be to search for specific references in library texts related to World War II. Option A suggesting a broad internet search might provide too much irrelevant information. Option B, consulting an American history textbook, may not offer in-depth coverage of internment camps specifically. Option C, focusing on Japanese culture aspects like fashion and politics, is not directly related to the research topic on internment camps.
This excerpt is an adaptation of Jonathan Swift's "Gulliver's Travels into Several Remote Nations of the World".
My gentleness and good behavior had gained so far on the emperor and his court, and indeed upon the army and people in general, that I began to conceive hopes of getting my liberty in a short time. I took all possible methods to cultivate this favorable disposition. The natives came, by degrees, to be less apprehensive of any danger from me. I would sometimes lie down, and let five or six of them dance on my hand; and at last the boys and girls would venture to come and play at hide-and-seek in my hair.
I had now made good progress in understanding and speaking the language. The emperor had a mind one day to entertain me with several of the country shows, wherein they exceed all nations I have known, both for dexterity and magnificence. I was diverted with none so much as that of the rope-dancers, performed upon a slender white thread, extended about two feet, and twelve inches from the ground, Upon which I shall desire liberty, with the reader's patience, to enlarge a little.
This diversion is only practiced by those persons who are candidates for great employments, and high favor at court. They are trained in this art from their youth, and are not always of noble birth, or liberal education. When a great office is vacant, either by death or disgrace (which often happens,) five or six of those candidates petition the emperor to entertain his majesty and the court with a dance on the rope; and whoever jumps the highest, without falling, succeeds in the office.
Very often the chief ministers themselves are commanded to show their skill, and to convince the emperor that they have not lost their faculty. FlyNap, the treasurer, is allowed to cut a caper on the straight rope, at least an inch higher than any other lord in the whole empire. I have seen him do the somersault several times together, upon a trencher fixed on a rope which is no thicker than a common packthread in England. My friend Reldresal, principal secretary for private affairs, is, in my opinion, if I am not partial, the second after the treasurer; the rest of the great officers are much upon a par.
Which of the following statements best summarizes the central purpose of this text?
- A. Gulliver details his experiences and interactions with the natives of the new land.
- B. Gulliver observes the unique customs and traditions of the society he encounters.
- C. Gulliver becomes acquainted with the people and practices of his new surroundings.
- D. Gulliver reflects on the cultural differences between his homeland and the new land.
Correct Answer: C
Rationale: The correct answer is C because the text describes how Gulliver becomes familiar with the customs and practices of the new society he finds himself in. He interacts with the natives, learns their language, and participates in their shows, indicating his growing understanding and acceptance of the new culture. Choice A is incorrect because the text goes beyond detailing his experiences to focus on his growing familiarity with the society. Choice B is incorrect because Gulliver not only observes but actively engages with the customs. Choice D is incorrect as the focus is on Gulliver's adaptation rather than reflecting on cultural differences.